Search results for "Jorge Eduardo Eielson."
showing 5 items of 5 documents
VOCES LITERARIAS DEL PERU: JULIO RAMON RIBEYRO, JORGE EDUARDO EIELSON, GABRIELA WINER
2016
ES UN CONJUNTO DE ENSAYOS SOBRE LA OBRA DE JULIO RAMON RIBEYRO, EN OCASION DE LOS VIENTE ANOS DE SU MUERTE, Y LA OBRA DE JORGE EDUARDO EIELSON Y GABRIELA WIENER, QUE, CADA UNA DE ELLOS CON SUS PROPIAS MODALIDADES, HA SEGUIDO EL CAMINO TRAZADO POR RIBEYRO.
JORGE EDUARDO EIELSON Y JULIO RAMON RIBEYRO: DOS NARRADORES DE LA GENERACION DEL 50 Y SU VISION DE LIMA
2016
Se analiza la obra narrativa de Eielson en el marco de las innovaciones que has aportado los miembros de la generación del 50 en el Perú, a pesar de que a Eielson no se le considera uno de ellos.
La costellazione Perù- Italia nel romanzo "El cuerpo de Giulia-no" di Jorge Eduardo Eielson
2016
Attraverso la lettura del romanzo dello scrittore peruviano Eielson si analizza il suo legame con l'Italia, il quale, pur scegliendo l'Italia come suo paese di residenza, non rinuncerà mai a scrivere nella propria lingua.
"El cuerpo de Giulia-no" de Jorge Eduardo Eielson: cuerpo fisico y cuerpo mental
2016
El cuerpo de Giulia-no de Jorge Eduardo Eielson is a discontinous and elusive text. Written in the 1950s but unpublished until 1971, it is an undoubtedly innovative work which thwarts the readersʼ expectations due to its fragmentary composition, elliptical tendencies, and the underlying dialogue amongst literature, visual arts and science running throughout the text. In this article, I analyse one element of the novel which expresses in an evident way the relationship between literature, theatre and visual arts: The body of its protagonist—Giulia— which is a physical and a mental body, according with the Buddhist vision of Eielson El cuerpo de Giulia-no es un texto discontinuo, indefinible.…
Visioni apocalittiche in El cuerpo de Giulia-no di Jorge Eduardo Eielson
2013
Jorge Eduardo Eielson is a well-known poet and plastic artist, but his narrative works remain little-known, even in his native Peru. El cuerpo de Giulia-no is a discontinous and elusive text. Written in the 1950s but not published until 1971 in Mexico, it is an undoubtedly innovative work which thwarts the readers’s expectations with its fragmentary composition, elliptical tendencies, and the underlying dislogue amongst literature, visual arts and science running throughout the text. Like a typical Eislson work, it is a ‘chaotic’ text, which brings together the themes of the indigenist conflict and the Apocalypse emboded by the crisis of language with elements of meta-theatre and science fi…